ADVENTURE!!! -- All Packed and Ready to Go River Rafting With Kevin Macpherson... EGAD!!!

Seacliff Oil on Canyon 20x20

I can't believe it!   The time has just flown by and I leave tomorrow bright and early with two equally adventurous women whom I have never met.  We live within 80 miles of one another and will share the ride together on our way to Arizona.

It all started last year when I received an amazing email about a painting workshop led by Kevin Macpherson.  The group would be river rafting through the Grand Canyon and camping and painting along the Colorado River.  As soon as I saw the email, my mind went back to my early years of wanting to actually go down into the canyon.  I remembered how much I loved the book "Brighty" when I was a girl.  Since then, I've visited many times, but I have never gone into the canyon.  Mind you, I didn't actually have river rafting in mind all those years back, but ... hey...  as my wonderful little guy, Tyler, keeps saying "YOLO*!".

     Grand Canyon Paintings by Kevin Macpherson

I jumped on it and called the same day I received the email notice.  It turned out that the trip had already filled and I was first on the waiting list.  I couldn't decide whether to be relieved or disappointed.   But a few months later I got a call saying that someone had chickened dropped out and now there was space for me on the trip.   I took a deep breath and thought... YOLO!

Tyler's 13 and he's saying YOLO..   but he's right.

I'm no longer a teenager... (not by a very long shot).  I'm not a camper.  The river's 50 degrees.  I hate being cold...  and I get up at night a lot.   It's going to be interesting.  It's going to be a great ADVENTURE. 

I actually a bit anxious, but I am so looking forward to the new experience.   I can't wait to learn all I can from Kevin Macpherson.  I'm told he's a super nice guy and a great teacher.  And I can always learn more.  Plus...  there will be so many beautiful places to paint. 

I've been so totally wrapped up in several volunteer projects for the last couple of weeks and I am SOOOO glad to get away.    I'll be away until May 18th and during that time I'll be off-line.  No cell phones.  No internet.  Only beautiful and awe-inspiring mother nature.

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And what does any of this have to do with the painting at the top of the page?? 
NOTHING

I painted this before everything got so busy and never had a chance to blog about it.  It is a scene from a road trip I went on with another friend last fall.   We had a ball.   Life is beautiful.
Seacliff

I entered it in FASO's monthly BOLD BRUSH contest and look what happened!  :o)
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Congratulations! Your painting, "Seacliff", was selected as part of the FAV15% (jury's favorite 15% of the entries)
in the March 2013 BoldBrush Painting competition.
You may view the FAV15% paintings, including yours:
http://faso.com/boldbrush/fav15/104
This honor means that you might be featured in http://informedcollector.com in the coming months.
Please login to your account and make sure your bio info is current if you want any additional info to run in that article.
Thanks again and congrats again!

Sincerely,

Clint Watson
Software Craftsman and Art Fanatic

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*Just in case you don't already know... YOLO is one of those words that has come about from texting.  It means "You Only Live Once".   (So in my mind... live it well!!)

I'll let you know all about it when I return.   Until then... hasta la vista baby!

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Making a Trial Run

Canyon Grove 6x8 Oil on RayMar panel

A little scene from my nearby canyon --

I will probably continue to paint the sycamores whenever I'm moved to explore my own back yard. 
They are infinitely beautiful and varied.

Canyon Grove

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I am so excited.  I leave in a little over a week for a 10 day river rafting trip down the Colorado River through the Grand Canyon.  We'll be camping and painting.  Kevin Macpherson will be leading the workshop and I am very excited to learn all I can from him.  Cody DeLong will be the artist with painting and rafting experience in the Grand Canyon.

In the meantime, I'm trying to get all the gear I might need to camp and ride the river.   Although I totally love my EasyL box, I thought it might be a bit big for this excursion.  So I borrowed a slightly smaller EasyL pochade from my girlfriend.  Actually we switched.  I had the smallest EasyL box, but thought it was too small and she had the pochade box that was between the smallest and my size.  Anyway, I've used it a few times and it seems just right.  Then Guerrilla box offered a tiny thumb box "second" for 1/2 price... So I bought it - couldn't resist the deal.

 

The Thumb Box

Well, one should never set out on an outing without using the equipment / clothing / etc.   I've also been re-reading Macpherson's book and was reminded that he painted his nearby pond every day of the year.  I thought to myself, "Well, I don't have a pond, but I do have a canyon right up the street."   So I popped my paints into that little thumb box and hiked down into the canyon. 

I found a cluster of my favorite trees amid the grasses of the canyon.   I kept trying to look for interesting shapes and patterns.   And I kept asking myself what was the reason I wanted to paint what I painted.  

The little pochade box will only hold 6x8, 8x8, or 8x10 panels but it worked just fine.   I learned that I need to think about where to put brushes, and my turpenoid.  I am so used to hanging them off the side of my EasyL.  All in all it was an enjoyable trial run and a great learning experience.

Although I won't be able to do any blogging while I'm on the trip, you can be sure I'll be writing about it both in my blog and in my newsletter.  If you're interested you can get my blog posts sent to you by clicking on the RSS feed here:

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You Never Know When The Next Opportunity Will Come

San Simeon Sunset -- 10x10 O/L

Memories linger as we watched the sun set after a beautiful day.

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I was on my way home from a morning painting at the beach with friends.  I was driving along in the snazzy silver Infinity G37 that my Dad gave me for a surprise birthday and Christmas gift so many years ago.  The radio was blaring and I was happy to have been outside painting and seeing the world on a beautiful day.   Life is good.

The phone rang (happily the car has blue tooth), so I answered and an unknown voice identified herself and told me that someone (she couldn't remember who) had given her my card.  She had looked at my website and thought my work would be perfect to hang in the gallery she curates.  I had never heard of the gallery, but the location was in Burbank which is a nice area.  Since I was driving, I told her I was interested and asked her to email me more information.

Then I didn't hear anything for several days.....   (*&^%*!!)   I wracked my brain, but couldn't remember the details so I looked up all the galleries in Burbank and nothing seemed familiar.   Sigh.   I figured I'd blown it.

Happily after a few days, the woman called me back.  We connected.  We set up a meeting so I could see the gallery.   It is a gallery in the main lobby of a large theatre in Burbank called the Colony Theatre.  Obviously, the gallery is called the Colony Theatre Gallery.    -- It looked like a nice space, and the work that was in the current show was spectacular, but very different than mine, so I thought... Hey, why not??

We set a date for the start of a month-long exhibit.  I have many projects going and sort of set this aside for a while.   Then one day the woman called me again and wanted the work a WEEK EARLY!!    EGAD!!    Well last Friday, I delivered and helped her hang the paintings I brought, most of which were ocean-related ..(are we surprised??). 

"San Simeon Sunset" is one of 32 paintings which will be on display in a show called "Precious Gems".  I made a card for people to take with them and although I kept the Precious Gems title the curator wanted to use, I also kept my "One Lucky Artist" title that I gave myself based on my feeling about art and my own last name.  I kept it because I think it might help people remember me and my work. 

I think the show looks great and hope that the people who see it like my work.  

    (And yes, I also hope that I have some sales.)  -- Wish me luck.  

And if you are that "unknown person" who gave my card to the gallery, I'd love to thank you...  Let me know who you are!!

Precious Gems

Event Dates: 4/24/2013 - 5/24/2013

Location: Colony Theatre Gallery

818 558-7000

555 North Third Street

Burbank CA 91502

http://colonytheatre.org

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Ready For The Spring Concert

Ready For The Spring Concert 10x10 oil/linen

While we were on our painting trip up the coast my friend, Kay Zetlmaier, asked me if I'd like to paint with her again in a few weeks at a beautiful spot during an evening outside concert in Ojai, CA.   The place was called Euterpe Farms.  They have a wonderful windmill which offers delicious water to passerbys on the honor system.  They also sell native plants and play wonderful music.  Of course I said, "Yes!".

 When another painter scheduled to attend found out he wasn't able to make it, I was asked if I knew anyone else who might be interested in painting with us during the upcoming "Spring Concert".   Right away I thought of my friend, Laura Wambsgans, who agreed with enthusiasm.  She told me about the beautiful light in the evenings.

We really didn't know what to expect.  There were several days of strong winds that led up to the day of the concert, so we were a bit concerned but as it turned out, the winds were mild, the weather was perfect and we all had a great time.

I struggled with my painting, but all in all managed to get the main feelings down before the light changed so totally I wasn't painting the same thing I started out painting.   Here is "Ready For The Spring Concert".

 
What a beautiful evening!

The ranch was lovely -- filled with natural grasses and poppies.
As we painted we talked to concert goers, we listened to wonderful music and we watched the sun set.

Then Kay, Laura and I went to share a meal -- to laugh and share ideas.

Priceless!

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Silver Shimmer

Silver Shimmer 10x8 Oil on RayMar linen panel

 

California beaches are often are full of atmosphere during the summers.   The warmth of the inland area creates fog along the coast.

One of the gals from the Channel Islands boat trip lives in Tennessee.  She is friends with another gal who was visiting her son here in SoCal.  That friend gave me a call and off we went to paint.  It was fun!

I rarely see the beauty on days like this -- I prefer color and light.  However, the way the silver sunlight was coming through the fog and shimmering on the wet sand and water on the beach caught my imagination.  I loved the way the light led to the sandpipers which were happily hunting for tasty sand crabs.

Something A Bit Different

Tidepool 10x10 Oil on Linen panel

 

Who doesn't love to look at all of the beautiful creatures hiding among the tidepools?

Every once in a while I like to paint something a bit "odd".  I think if you paint the same kind of thing over and over... even though each really is unique...  well, you may be getting better but you're repertoire is not expanding.

So this little tidepool scene came to mind.  Click "Tidepool" for a larger view.  I didn't paint this from life, although I should have.  The trouble with most tidepools is that by the time you get out there where the tidepools are, find your spot, get your gear all set up, etc, then it's about time to turn around and get off those rocks before you find yourself with wet feet or worse.

My recent painting called Hoping For Spring was one of the "different" kind of paintings.   I loved working on the textures and the subtle shifts of color within the whites.   Another little painting I did a few years back called On The Wall remains one of my favorites because of the way I just picked up color with my brush to capture all the reflections you see in the water near the edge of the sea near low tide.

Hoping For Spring

On the Wall

One of the lesser reasons but still important for painting outdoors over and over is to learn economy of strokes, thus capturing the light and the feeling of the scene in a relatively short amount of time.  Therefore, at some point, I will check my tide charts and aim to get there so that I can stay as long as I can without getting washed off the rocks or submerging my Sauconys.

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Hoping .... For Something.....

Hoping For Spring 12x16 Oil/Canvas

To Enter Or Not
It's always a toss up whether or not to enter a juried show.  First, for me at least, is the decision about whether to enter a show or not.  This is based on any number of things including but not limited to:

1. Nothing else is scheduled and the "whimsy" strikes
2. A feeling of "obligation" to participate in some way with local groups to which you are associated
3. A friend is entering and is encouraging you to enter
4. It's the only show you've seen lately that will accept larger pieces and you'd like to get them out from under your bed
5. A show will be in a gallery which is a new area or it might be a new place to highlight your work
6. The group which is hosting the show is prestigious and might be "good for your resume"or you would be proud to be part of that group's show (if your work gets in)
7. You have a painting which matches a theme for a show
8. The juror is someone prestigious and you look up to him or her and would feel honored if your work was selected by him or her

I confess that I always have a debate with myself about whether or not to enter shows.  The cost of entering shows more often than not outweighs the chance that your work might sell or that you will get a prize.  Sometimes your work isn't juried in -- despite the fact that I know it's not a reflection on me or my worth, it never feels good to be rejected.  And even when your work is juried in you then have to deal with framing and shipping or transporting issues.

The Pros Usually Outweigh The Cons
But I do like to get my work "out there" as often as possible.  I've found that there are often unexpected happy events and new opportunities that come from people seeing your work in addition to potential prizes and sales.  I've had people call up out of the blue after seeing my work in one show and ask if I'd like to hang my work in their venue.  I've had long-lost friends visit me from long ago and from far away using the art show as an excuse.   So I keep plugging.

I confess that for this show my reasons were #2 and #5.  This is a group with which I feel a bit like an "outsider".  My work is fairly traditional realism and the vast majority of the artists in this group tend toward the abstract.  But it is a good group and they were showing in a part of town that I had never had work before, so I decided to go with it.

Potential Disaster
Then I looked at the work of the juror, Richard Bruland.   ZOWIE....  His style couldn't be more different than mine.  Oh well... return to reasons 2 and 5 and forget all else. 

My second decision is trying to decide WHAT to enter... to paint something specifically for the show or to look through my work and find something suitable that is already ready.  I had been working on a piece that I felt was a bit more subtle and fairly different than my main body of work, so I decided to finish it and enter it in the show.  It is really almost white on white except for the dark-colored branches.  I tried to add lots of color in the pale shadows as well as in the dark branches.   It is called "Hoping For Spring".   When I finished and was ready to submit, I had a heart attack because I finally really read the prospectus.   (Shame on me for not doing so earlier.)    The piece is 12x16 and the prospectus set 18" as the size limit INCLUDING THE FRAME.   EEEEEK!!!     Since it was two entries for the price of one, I also entered my painting that had recently been selected as a FASO FAV 15% painting, "Carrillo Cove".   Then I thought about the juror again and decided he wouldn't jury my work in anyway, so as soon as I submitted, I forgot all about the show.

Happy Surprise
Imagine my surprise when I received an email that both pieces were selected.  Well, luckily my husband, Gastone, is very handy with wood, and happily he agreed to pull my toes out of the fire by creating a wonderful wooden floating frame that was under 1" on every size thus staying under the size limit.   My husband came to my rescue once again.

Maybe you'd like to see the show.   Here are the details:

Women Painters West Spring Juried Show
Culver City, CA

Reception:  Saturday, April 6, 2013
6:30 pm - 9:30 pm

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